Persons in alphabetical order by last name A |
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Vocals on Miriam Makeba's 2003 European tour | |
Alejandro "Alex"
Acuña |
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Peruvian drummer and percussionist. Learned trumpet and piano from his father. Appears on Harry Belafonte's album "Paradise In Gazankulu". Performs among others on the album "Dreamwalkin' with Eric Tagg and the album "Heat, Dust an Dreams" with Johnny Clegg. | |
Member of The Wayfarers 1963-1966 | |
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Vocal chorus on Harry Belafonte's "Angelique-O", "Cocoanut Woman", "Cordelia Brown", "Don't Ever Love Me", "Haiti Cherie", "Island in the Sun", "Mama Look A Bo Bo", "Scratch, Scratch", | |
Richard
Adler |
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Composer: "Acorn In The Meadow" | |
Larry
Adler |
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Plays Harmonica, has recorded one album with some Belafonte-songs. | |
Guitar on Miriam Makeba's 2003 European tour | |
Harp on Harry Belafonte's album "Turn the World Around" | |
Fitzroy
Alexander |
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Born in Port of Spain, Trinidad. Composer, also known under the name Lord Melody. G. Godwin Oyewole has made a list of all songs written by Fitzroy Alexander. Belafonte has recorded the following of his songs: "Mama Look A BoBo", New York Taxi", "Sweetheart From Venezuela" | |
Member of the Steel Band at Belafonte's Greek Theatre 1961 Percussion on Miriam Makeba's KL1274. |
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Hans Alfredsson |
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Swedish actor, comedian etc. Participates in "Matilda" on the Belafonte album "En Gränslös Kväll På Operan" | |
Member of The Norman Luboff Choir 1955, performs on Harry Belafonte's "Noah", "Sylvie", "Take My Mother Home" | |
Member of The Norman Luboff Choir 1955, performs on Harry Belafonte's "In That Great Gettin' Up Mornin', "Jump Down, Spin Around", "Noah", "Sylvie", "Take My Mother Home" | |
Member of The Norman Luboff Choir 1955, performs on Harry Belafonte's "Noah", "Sylvie", "Take My Mother Home" | |
Percussion on Harry Belafonte's album R4P5054. Can also be found on the album "Visions of a new world" with Lonnie Liston Smith & The Cosmic Echoes. Together with Sivuca on VSD79337 and VSD79352. | |
Vocals on Harry Belafonte's album "Paradise In Gazankulu". | |
Composer of "Tarrytown" | |
Laurindo Almeida |
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Born in Sao Paulo. Plays guitar on Harry
Belafonte's album LSP2626, "Mary,
Mary".
In 1948, he joined the Stan
Kenton orchestra as a soloist. Since then, he has recorded
more than one hundred records. Having been nominated 11 times
for the Grammy, he won five awards. He has composed the
complete scores to at least 10 major motion pictures, among
them the Oscar winner The Old Man and the Sea (1958). He was nominated to the Oscar for composing the score for
the 1970 animated short The Magic Pear Tree.
Almeida was both a classical and a popular musician. Leonard Feather,
jazz critic of the Los Angeles Times, credited Almeida with making bossa
nova popular in the US in 1952,
when the guitarist recorded Inquietação by Ary Barroso with Bud Shank. Before arriving in the US, where he ended up becoming an American citizen in 1961, Almeida had a hard time in Brazil. Born in the interior of São Paulo, he had to sleep on the streets before reaching fame and glory performing at Radio Mayrink Veiga and with the orchestras of the big casinos. The "roaring forties" in Rio and the biography of this unusual musician in Brazil and in the US are the subject of the documentary that will be produced by the Brazilian company Telenews. FolkLib Index for Laurindo Almeida |
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Guitar on Sivuca's album SNTF978 | |
French horn on Harry Belafonte's recordings "Fifteen", "How Green Was My Valley #2", "I'm Going Away", "The Lord is My Shepherd", | |
Drums on Harry Belafonte's recordings "Jerry", "Man Smart #1 & #2", "Scarlet Ribbons #1", "Shenandoah #1", | |
Herb Alpert |
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Together with Hugh Masekela on the albums SP728
and SP4727. Coproducer of Letta Mbulu's album SP4688. |
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Bass on Harry Belafonte's recordings "Jerry", "Man Smart #1 & #2", "Scarlet Ribbons #1", "Shenandoah #1", | |
Ralph Alswang |
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Staging and lighting between 1957 and 1969 (or more) for Harry Belafonte. | |
Natan Alterman |
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Composer of: "Lyla, Lyla" | |
Guitar on Harry Belafonte's album "Paradise In Gazankulu" | |
Member of the DeCormier Singers. | |
Guitar on Chad Mitchell Trio's album KS3313,
SR60891,
SR60944, SR60992, With the Mitchell Trio on SR61049, SR61067, |
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Flute and Alto sax. Appears on Harry Belafonte's album "Turn the World Around" | |
Violin on Harry Belafonte's recordings of "The Drummer And The Cook #2", "Hava Nageela #1", "Jamaica Farewell", | |
Composer of: "Far Side Of The Hill" | |
Talking Drum, Percussion & Vocals on Hugh Masekela's album BTS62 and "Homecoming Concert" | |
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Howard
Ashman |
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Composer of: "Beauty And The Beast", | |
Former member of The Norman Luboff Choir. | |
Former member of The Norman Luboff Choir. | |
William (Bill) Attaway |
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A close friend to Harry Belafonte and one of the persons that helped Belafonte start
The Sage, a restaurant in Greenwich Village in 1951. After that he became composer and
arranger for Belafonte. Has composed: "Angelique-O", "Day-O",
"Hosanna", "The
Jack-Ass Song", "Jump
Down Spin Around", "Will
His Love Be Like His Rum" |
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Patti Austin |
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Quincy Jones' goddaughter. Sang on many of
Quincy's records - including a duet with James Ingram. Appeared with Harry Belafonte at O'Keefe Center 1969. Also on Ralph McDonald's album "The Path". |
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Luiz Avellar |
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Keyboards on Sivuca's album 302.7028 and SNTF942 | |
Margaret Avery |
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Performs in the movie "White Man's Burden" | |
David Axelrod |
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String arrangements on Miriam Makeba's CD5506 | |